LESSON NINE: THE END (PART TWO)
Face Personal Problem
In the beginning, your protagonist had a personal problem that was
somewhat debilitating. This is the place where he faces and overcome his fear
of this area of his life. Although Ron is a secondary character in the Harry
Potter series, he has a huge fear of spiders. He is called upon to rise above
this personal fear to help Harry escape from the giant spiders in the forest.
He doesn’t lose his fear, but he does face it.
Confront Major Problem
No more delays, the time has arrived to confront the major
challenge your protagonist set out to solve from the beginning. He needs to
come up with a plan or strategy to make it happen. I wrote a book set in 1946
about a boy who lives with his grandparents in Hawaii. When his grandparents
disappear and his best friend is arrested as a leper, he sets out to find his
birth parents on a neighboring island. He has several adventures, learns some
difficult truths, but never gives up his search for his parents. Not even when
it means risking his own death.
Go All Out to Fight the Foe
The protagonist sets his plan into action. Everything is on the
line and there’s no backing down. He’s willing to risk it all. Marvin, the
dragon boy, has devised a plan to rescue his brother from the evil sorcerer’s
dungeon. He’s enlisted the help of some other characters he’s met during the
course of the story. Plus he will rely on the help of his dragon to fly him to
the tower
in the center of the compound. From there he will climb down and open a secret passage hidden in the cunning magician’s bedroom. Marvin’s cohorts will join him. They will storm the dungeon and free his brother. The plan is risky, but it’s the only one that’s viable. He sets out at daybreak.
in the center of the compound. From there he will climb down and open a secret passage hidden in the cunning magician’s bedroom. Marvin’s cohorts will join him. They will storm the dungeon and free his brother. The plan is risky, but it’s the only one that’s viable. He sets out at daybreak.
Showdown Scene
The plan is set in motion. It leads the protagonist to a showdown
with the antagonist. This is the scene at the end when the protagonist faces
their personal problems and confronts the challenge of the major conflict. It
should be BIG and DRAMATIC and SURPRISING. Avoid clichéd dramatic endings,
unless you can give it an intriguing twist.
Resolve major challenge
The protagonist must solve or win the story conflict through
thought and action!!! It’s her story. Her problem. Her solution. Do not allow
another character to take away her glory by stepping in a solving the problem
for the protagonist. No act of God. No well meaning savior. No parent stopping
the bullying.
Wrap up lose ends
Every problem you raised in the beginning must be addressed. This
is called the resolution of the plot. It’s when the reader learns what’s
happened and why it happened. Once this is complete, it’s time to wrap-up the
story and to bring it to a satisfying end.
Sometimes authors will “book end” their opening and ending scenes.
They revisit a beginning situation with a different and pithier conclusion.
THE LAST OF YOUR MYSTERY
PLOT
Answer the following
questions for your plot and go out there and write your mystery.
Face Personal Problem
Confront Major external Problem
Go All Out to Fight the Foe
Describe the Showdown Scene
Resolve major challenge
Wrap up any lose ends and any questions readers might have gleaned
along the way.
Resolution
Final Wrap Up & Goodbye to the characters
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